Chapter 1 Review an Excerpt From Calamity Jane Answer Key
Calamity Jane | |
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(A Musical Western) | |
![]() An Apr 2017 performance, past Ormskirk Pleasure Folk Amateur Musical Order, at Ormskirk Borough Hall, featuring Liz Wainwright in the title part. | |
Music | Sammy Fain |
Lyrics | Paul Francis Webster |
Volume | Ronald Hanmer and Phil Park |
Basis | 1953 film Calamity Jane |
Premiere | May 27, 1961: Casa Mañana, Fort Worth, Texas |
Calamity Jane (A Musical Western) is a stage musical based on the historical effigy of frontierswoman Calamity Jane. The non-historical, somewhat farcical plot involves the authentic Calamity Jane'south professional person associate Wild Bill Hickok, and presents the two as having a contentious human relationship that ultimately proves to exist a facade for mutually amorous feelings. The Calamity Jane phase musical was an adaption of a 1953 Warner Bros. musical film of the aforementioned name that starred Doris Day. Commencement produced in 1961, the phase musical Calamity Jane features six songs not heard in the film. According to Jodie Prenger, star of the Calamity Jane 2014–15 UK bout, the songs added for the stage musical had been written for simply not included in the Calamity Jane pic[1] ("Love You lot Dearly" had been used in the 1954 Doris Day musical film Lucky Me).
Credits [edit]
Adapted past Ronald Hanmer and Phil Park from the phase play by Charles K. Freeman, subsequently the Warner Bros. film, written by James O'Hanlon
Songs by Paul Francis Webster (lyrics) and Sammy Fain (music)[2]
Synopsis [edit]
Deadwood Metropolis'due south two most famous peace officers, Calamity Jane and Wild Pecker Hickok, get involved in saving the cervix of Henry Miller, the local saloon operator. It seems that "Millie" has been promoting a beautiful actress named Frances Fryer, merely Frances turns out to be a male, Francis. Millie'southward attempt to cover up is soon unmasked by the aroused miners, and simply Calamity can cool the crowd with her trusty pistols. To keep the peace, Calamity sets out for Chicago to bring back the miner's real heart-throb, Adelaide Adams. In Chicago Calamity mistakes Adelaide'south maid, Katie Brown, for the actress and hauls her back to Deadwood. Onstage Katie is greeted warmly, but breaks down and confesses that she is not the famous star. Calamity again has to restore social club and persuades the audition to give Katie a chance. They do, and she wins the center of every male in town including Calamity'due south dashing love hope, Lt. Danny Gilmartin. Calamity reluctantly overcomes her jealousy over losing Danny and discovers her true dearest for Wild Pecker.
Musical numbers [edit]
Source: Concord Theatricals[3]
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† Not included in the original motion-picture show (1953)
Production history [edit]
In the US [edit]
The world premiere production of the stage musical version of Cataclysm Jane ran 27 May - 17 June 1961 at the Casa Mañana in Fort Worth TX: Casa Mañana stock extra Betty O'Neill led this production,[4] touted as "the first try-out of a musical ever staged exterior the East or in-the round."[5]
The play then ran from 21 June - eighteen July 1961 at the Muny in St Louis with Edie Adams in the title function while Allyn Ann McLerie played Katie - a role she had originated in the 1953 film Calamity Jane - and George Gaynes - McLerie'due south husband - starred as Wild Bill Hickok. The role of Danny Gilmartin was played by Nolan Van Mode.[six]
Excerpted review Pittsburgh CLO functioning one July 1961 |
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Delight note: Abridgements are shown in italics |
"'Calamity Jane' is a loud, rollicking show" which "aside from the comedy of Martha Raye...contains a number of attractive & talented people who sing & trip the light fantastic the evening away"; "No one could accuse Martha Raye of being a bully actress, & certainly in that location were more than than a few in the audience who must take winced inwardly over her rendering of 'Undercover Love'. But she is a natural slapstick comedienne"..."this singer without a voice & heroine without glamour whacked & wailed her energetic, bouncy & fun-filled fashion through 'Calamity Jane'...Sometimes she is mugging & ad-libbing then furiously that the performance becomes more of a nightclub act than a volume show. But afterward all, the audience has presumably come up to see Martha Raye, & that is what it sees." - Michael Holmberg (The Pittsburgh Press) [seven] |
On three – 8 July 1961 the Pittsburgh CLO (Civic Light Opera) production of Calamity Jane with Martha Raye in the title role played the Civic Arena (Pittsburgh): this production featured George Gaynes as Wild Bill and Allyn Ann McLerie, Gaynes and McLerie transferring from the Muny production to that of the Pittsburgh CLO for the elapsing of the latter's appointment.[eight]
Excerpted review CBS-TV special 12 November 1963 |
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Delight notation: Abridgements are shown in italics |
"Every bit a musical comedy 'Calamity Jane'...was naught to shoot up the town almost. Only equally a vehicle tailored to Carol Burnett's special talents - & they are certainly special - it served very nicely indeed. The 90 minute one-act was taped terminal summer after playing at State Off-white Music Theater (Dallas) & therefore had a smooth which is all too often lacking in boob tube productions of this type. This was especially evident in the song-&-dance sequences which were equally smooth equally a Broadway phase production. The plot was corny enough to afford light-hearted amusement, & Miss Burnett gave information technology all the hell-aptitude-for-leather whoop it up treatment which information technology required. In fact Carol's enthusiasm in the office was at times a bit also much. Just never heed. She mugged & yelled & pranced almost like a mad adult female while giving the broad comedy lines & rowdy songs the merry Dickens equally merely she can. And then, every bit a welcome relief, she sang the lovely 'My [sic] Secret Love' straight in a surprisingly enchanting voice...All in all a jolly proficient show. And it was actually skillful to accept Miss Burnett back with us over again". - Win Fanning (Pittsburgh Postal service-Gazette) [9] |
Ballad Burnett played the title office in a Starlight Theatre (Kansas Urban center MO) product of Calamity Jane that ran 17 – 30 July 1961.[10] On Burnett's signing an sectional contract with CBS-TV in the summer of 1962, the network announced that she would headline a televised broadcast of Calamity Jane over the 1962-3 television season. Burnett'southward Calamity Jane special in fact did not air until the fall of 1963 after taping that summer. This schedule let Burnett reprise the title role onstage in a State Fair Music Theater (Dallas) production whose two-week run commenced 24 June 1963.[11] (The Pittsburgh CLO had been invited to host Burnett's 1963 live engagement headlining Calamity Jane: even so the CLO could not see the budget).[12] On 10 July 1963 Burnett and her castmates from the Dallas stage product - including Fine art Lund every bit Wild Nib - performed Cataclysm Jane at CBS Studio 50 (NYC), with the play performed non-stop three times earlier a live audition: CBS-Television receiver taped all three run-throughs, ane of which was circulate as Burnett'southward debut television special 12 November 1963.[13]
Extra Info |
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Betty Hutton had starred in the 1950 MGM picture show version of Annie Go Your Gun. Warner Bros. had hoped to acquire that stage musical as a Doris Twenty-four hours vehicle, but losing the film rights to Annie Become Your Gun led Warner Bros. to develop the 1953 musical film Calamity Jane for Day. Ginger Rogers, who'd campaigned for the Annie Go Your Gun moving picture lead, had led a summertime stock production of that musical that played five New England venues - including the Oakdale, the Carousel, and at WMT - in 1960. |
Excerpted review Carousel Theater functioning July 1962 |
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Please note: Abridgements are shown in italics |
"Ginger Rogers with her vivacious charms stomps, boasts & shoots her 6-gun with her usual rapport. Her enthusiasm & engaging wry humor both in song & dance affords the audience a delightful evening in which 'Secret Love' is sweetly rendered".[14] |
Betty Hutton run into Extra Info was scheduled to lead a 1962 summer stock production of Calamity Jane but canceled beforehand due to a protracted pregnancy, and was replaced by Ginger Rogers. run into Extra Info Rogers verifiably headlined three engagements of this production: at the Tune Off-white in North Tonawanda NY 19–24 June 1962,[15] the Carousel Theater in Framingham MA 2–8 July 1962 , and the Oakdale Theatre in Wallingford CT 25–28 July 1962.[11] The aforementioned production also played at WMT (Warwick Musical Theatre, Rhode Isle) 9–14 July 1962 just Rogers' own participation is not verifiable.[16] (An early credit of Jim Bailey, who'd become a star female impersonator, was as an ensemble member in this bout of Calamity Jane.) [eleven]
At the time of the premiere of the stage musical of Calamity Jane, Warner Bros. was considering mounting a Broadway production of the play,[17] but US performances of the stage musical of Calamity Jane accept remained essentially bars to the repertory and amateur theater scene. A Broadway production announced in 2005, using a revised book by Randy Skinner, who would also directly and choreograph,[18] failed to materialize—though the prospective production held readings in New York City with C&West singer Louise Mandrell equally Calamity Jane and veteran musical actor Brent Barrett as Wild Beak (Barrett had played Frank Butler opposite Reba McEntire in Annie Get Your Gun at the Marquis in 2001).[nineteen] Louise Mandrell somewhen headlined a repertory production of Calamity Jane past the Skillful Visitor Players, featuring Dan and Emily Pessano, Teddy Maldonado, Brian Pecheau, Tami Cowger, and Jacob Carrillo.[20] The production ran xix July - sixteen September 2012 at Roger Rocka's Dinner Theater in Fresno.[20] Mandrell has since reprised the role in i-off performances of Calamity Jane firstly on 11 September at the Folly Theater in Kansas City MO as an event in the Arts Midwest 2015 Conference,[21] and subsequently on 11 October 2015 at the CMA Theatre as an consequence in the International Amusement Buyers Association 2015 Conference.[22] Mandrell is scheduled to again star as Calamity Jane when the Proficient Company Players remount the musical in the summer of 2019.[23]
On 29 January 2018 two evening performances of what is billed as a concert presentation of Calamity Jane are scheduled for Manhattan supper gild Feinstein'due south/54 Below: the appear performers are Sara Jean Ford as Calamity Jane, Jenn Gambatese as Adelaid Adams, Christopher Gurr as a narrator, Tyler Hanes as Danny Gilmartin, Kara Lindsay as Katie Brown, Michael Park every bit Henry Miller, Tally Sessions every bit Wild Bill, and Brandon Uranowitz every bit Francis Freyer.[24] Also Cataclysm Jane is scheduled to make its New York Metropolis surface area debut equally a full product in a thirteen–25 March 2018 engagement at the Lion Theatre an off-off-Broadway venue in the Theatre Row complex in Manhattan.[25]
In the United kingdom of great britain and northern ireland [edit]
The stage musical version of Calamity Jane has enjoyed a prolific professional production history in the UK, a Sheffield Crucible product which previewed 27 July 1974 and opened 28 July 1974 existence billed equally "the British professional person premiere of 'Calamity Jane'". The Crucible production'south title office was played by future screenwriter/ novelist Lynda La Plante billed as Lynda Marchal,[26] and LaPlante/ Marchal reprised the role in a 1974 engagement at the Belgrade Theatre (Coventry) that besides featured Brenda Blethyn[27] [28] and - every bit an ensemble member - Graham Cole.[29]
Excerpted review 1979 tour engagement |
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"It was a real metamorphosis to see the eternally effervescent Barbara Windsor as a slightly raucous rootin' tootin' Calamity Jane. Hers is a wonderful portrayal of a gun toting female who had little time for men…she brought to her function a panache, a great bargain of well directed energy". - The Phase' [xxx] |
In 1979, Barbara Windsor headlined the kickoff U.k. tour of Cataclysm Jane. After its premiere engagement at the Billingham Forum, which opened 27 Baronial 1979, this production toured for twelve weeks to conclude with a November 1979 date at the Sunderland Empire.[thirty] [31] Windsor's co-star as Wild Bill was Eric Flynn, and Norman Vaughan was featured as Francis Fryer: at the tour's premiere date in Billingham the office of Henry Miller was played by Jeffrey Kingdom of the netherlands filling in for the bilious Dudley Owen who manifestly played out the remaining engagements. Toyah Willcox, while promoting her ain headlining Calamity Jane tour in 2002, told Terry Grimley of the Birmingham Post: "Barbara Windsor did this show 20 years ago and it was due to go into the West End, but there were some problems with her individual life." The touring product of Calamity Jane with Barbara Windsor did occasion the musical'southward London-area premiere, as the production played the Ashcroft Theatre (Croydon) 18–29 September 1979.[32]
Louise Gold starred in a production of Calamity Jane at the Leicester Haymarket 22 Nov 1994 - 28 January 1995 with Ricco Ross as Wild Bill, while the play'south premiere key London product played nine Dec 1994 - 21 January 1995 at the Battersea Arts Centre, with Leigh McDonald in the title function.[33]
Excerpted review Sadler's Wells operation June 1996 |
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"These days few actors enjoy the rigours of touring but the cast of 'Calamity Jane'...at Sadler'south Wells...seem as fresh as the flowers of spring. Not least Gemma Craven in the title part...The story...is an excuse for singing & dancing, as admirers of Doris Twenty-four hour period will remember. Ms Day was of course incomparable, merely Ms Craven survives the inevitable comparison extremely well, acting, singing & dancing beautifully. She haunts us with the declaration of her 'Secret Dearest' & the whole bandage combine to send us away serenading 'The Black Hills of Dakota'. The sets are surprisingly good for a touring production & the show is as jolly every bit a pantomime — but with meliorate songs." - Roy Shaw (The Tablet)[34] |
Gemma Craven starred in a production of Calamity Jane at Sadler's Wells 21 May - 15 June 1996 [35] every bit the 7th engagement of an eleven date national tour that launched with a 29 February - 16 March 1996 Belgrade Theatre engagement. Stephen McGann played Wild Nib and Stuart Pendred was Danny Gilmartin in this production. Its final engagement was in Newcastle.[36]
Excerpted reviews Shaftesbury Theatre performance June 2003 | |
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Please note: Abridgements are shown in italics | |
"The somewhat naive charm of the thigh-slappin' gun-totin' original pic has dissolved in a product reeking of gingham & lukewarm feminism, which does not accept enough tongue-in-cheek humour to carry off Calamity's transition from bar-brawling man-fighter to petticoatwearing man-eater...despite Ed Curtis'due south lively direction & Sammy Fain's catchy tunes, the script is non nearly precipitous enough for 'Calamity Jane' to be admired either as a period piece or as a retro-classic. As a upshot, the production lives or dies by Willcox's performance, an unfortunately forced twodimensional affair" - Rachel Hallibuton (London Evening Standard) 27 June 2003[ citation needed ] | "This phase adaptation...is considerably more than hit-and-miss than the Doris Day movie...You can't charge ponytail-tossing Toyah of giving less than her heart & soul to the role. She throws herself into the sharpshooting tomboy athleticism, & she'southward fine at projecting the heroine's emotional innocence & fired-upward enthusiasm. But Calamity needs to be able to dominate vocally also, & Willcox does not have the necessary command. She'south heavily miked & this emphasises that distracting sibilance in her delivery... compared to Day's crispness of set on Willcox sounds soggy...There are sequences where the prove springs fully to life, as when our heroine stirs the town to a shuffling dance with her report on 'The Windy City'. But the stage version makes less, rather than more, of the moving picture'due south claim." - Paul Taylor (The Independent) 1 July 2003 [37] |
Excerpted review Shaftesbury Theatre performance July 2003 |
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Please notation: Abridgements are shown in italics |
"This hyperactive, 'Annie Get Your Gun'-blazon Wild West songfest stars Toyah Willcox... who fairly batters you into admiring her irredeemably perky performance : she's constantly moving, singing, dances like an irritating leprechaun, & expends more energy in one evening than I have in the past twenty years"; "Nether the steady hand of director Ed Curtis, the young & inexperienced cast members (many making their professional debuts here) are well drilled. Craig Revel Horwood'southward choreography, though at first sub-Agnes de Mille, blossoms outwards to remind the audience of what was so special nigh his piece of work for 'My One and Only'"; The simple wooden sets are more than serviceable, & James Whiteside'south lighting is suitably lurid for the Black Hills of Dakota"; "The memorable score by Sammy Fain...helps to overcome the feeling that this cheerful, hard-working production does not really vest on the W Cease stage." - Sheridan Morley (New Statesman) [38] |
In 2002 and 2003 Toyah Willcox led a product of Calamity Jane that toured throughout Uk with the first leg of the tour playing nine cities, the countdown engagement existence at the Derngate Theatre (Northampton) 9 – 14 September 2002 with the ninth venue played being the Alexandra Theatre (Birmingham) whose date ran 11 – sixteen Nov 2002. The second leg of the Cataclysm Jane bout led past Willcox had an countdown 20–25 January 2003 appointment at the King's Theatre (Glasgow) then played fifteen subsequent engagements to conclude with a 26 June - twenty September 2003 date - previewed from 12 June 2003 - at the Shaftesbury Theatre in Holborn, it having been appear in April 2003 that this production of Calamity Jane would have a limited-run summer date at the Shaftesbury thus marker the West Finish debut of whatever product of the Calamity Jane stage musical. Interviewed at the fourth dimension of the opening of Calamity Jane at the Shaftesbury, Toyah Willcox stated: "We've kind of revamped information technology so it's more than 'Westward Cease' and we've put big trip the light fantastic numbers in. We've added a flake more b******t to it!" although she maintained: "Our production is not saccharine sweet, information technology'southward really very ballsy. There are no sequins in our product whatever!"[39] corroborating statements she'd made earlier in the tour's run every bit "This isn't a sequinned production. We've tried to make information technology gritty."[40]
Thom Southerland directed an off-West End revival of Calamity Jane at Upstairs at the Gatehouse eight June viii–3 July 2010: Phyllida Crowley Smith choreographed this production, which featured Katherine Eames in the title role.[41]
Excerpted review Milton Keynes Theatre performance 25 November 2014 |
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Please annotation: Abridgements are shown in italics |
"Jodie Prenger is magnificent in the title role. Not simply can she sing & human activity: she has the ability to calorie-free up whatever phase...I could feel that the unabridged audience had fallen in honey with her"; "The supporting bandage are all incredibly stiff"; "The best numbers are those which run across the cast playing instruments whilst singing & dancing...their energy is infectious whilst their talents are hugely impressive"; "Providing just over two hours of joyous fun...Nikolai Foster's product of 'Calamity Jane' bursts with irresistible charm. It's impossible not to clap along with the finale & get out with a spring in your step." - Andrew Tomlins (WestEndFrame.com) 25 November 2014 [42] |
Excerpted review Chiliad Opera House (York) performance February 2015 |
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Delight note: Abridgements are shown in italics |
"'Cataclysm Jane' is a blast of a show & is played in that spirit by principals & ensemble alike, who add to the enjoyment with their actor-musician skills, playing all manner of instruments"; "Jodie Prenger is a big hit as Calamity: she is equally annoying as sandpaper with a vulnerability that steadily seeps through. For all the professional polish, Prenger has just the right corporeality of spit too...She has a natural sense of fun, so important to this musical, & she bonds readily & amusingly with her co-stars...Best of all, her serenading singing of 'Secret Dearest' brings out all the sudden release of emotion in that Valentine favourite." - Charles Hutchinson (The Printing) 12 February 2015 [43] |
Excerpted review New Wimbledon Theatre operation February 2015 |
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Please annotation: Abridgements are shown in italics |
"At present touring the UK is Charles K Freeman's accommodation of the 'Calamity Jane' motion-picture show, a production that began life at the resourceful Watermill Theatre under the management of Nikolai Foster. It'south another of their musicians-as-performers productions, which come across the traditional pit orchestra replaced by onstage performers who play diverse instruments. More that, the unabridged product adopts a make-practice philosophy which sees the orchestral accompaniment every bit just another of the clever something-from-nada design imperatives"; "Prenger, though wildly miscast since she is unmistakably all woman...has an easy, broad comic style...Vocally, she is in skillful grade although 'Secret Dear' is not the peak musical moment information technology could be, the long brilliant notes that make that song wonderful don't go proper attention, but that is not to say Prenger does not get away with it"; "This production is a theatrical care for: a practiced, old fashioned musical washed in a new fangled way. It's neat to hear such good songs so well sung by a cast that basically accompanies itself. Prenger's crowd pleasing turn as Calamity, together with get-go class support...ensures an evening that moves along at 'Whip Crack Abroad' pace & makes you long for those 'Black Hills of Dakota'." - Stephen Collins (BritishTheatre.com) 23 March 2015 [44] |
Jodie Prenger starred in a production of Calamity Jane whose 17 July - half-dozen September 2014 appointment at the Watermill Theatre (Berks) inaugurated a national tour of intended six months duration: however interest in booking this production was sufficiently high as to permit for its playing constant engagements for more than than twelve months, with venues played throughout Not bad Britain - plus a nineteen – 23 May 2015 date at Bord Gáis Energy Theatre, Dublin - with two London-area engagements: 17–21 March 2015 at the New Wimbledon Theatre and - as the tour's final engagement - 4 – 8 August 2015 at the Richmond Theatre. This production of Calamity Jane - which co-starred Tom Lister as Wild Beak - [45] - had its one July 2015 matinée functioning at the Bend (Leicester) recorded equally a 360-degree video made bachelor for complementary online viewing 22–24 July 2015.[46]
Comments of Nikolai Foster, manager of the 2014 - fifteen UK touring production of Cataclysm Jane | |||||
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[At first] I idea it was an old potboiler of a thing. And actually the film is so beautiful & gracious & Doris Day is captured in that iconic & breathtakingly bright operation...[The] 2003 production with Toyah Willcox, I thought the script was not very skilful & didn't offering anything up that is amend than the picture. Then we were given permission to really wait at the script to make it feel fresh & contemporary.[47]
| While remaining true to the essence of who she is throughout the whole play she goes on this extraordinary journey where through the people she meets & the new friends she makes...she learns to accept assist & crucially to accept dear...It's very exciting to take something from such a traditional period of music theatre history & give it just enough of a modern edge & simply enough of a contemporary twist...Fans of 'Calamity Jane' the motion picture volition be but equally intoxicated [by] our product...The principal reason for that is of course this iconic central character... & then we're blessed with Jodie Prenger taking the championship role in our production...Jodie's got all of the technical ability: that'due south a given but information technology's the star quality [such as] Doris 24-hour interval had in the moving picture & we're blessed that Jodie brings in such extraordinary generous bucketfuls to this product.[48]
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Jodie Prenger on the part of Calamity Jane |
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She ie. the historical Calamity Jane was obviously quite a gal, & there are so many stories nearly her, both for her & against her. Her ain account of her life is, equally you lot'd suspect, very positive & very colourful. Other people who knew her were less enthusiastic. She was certainly feisty & very gutsy. But in the end all I can do is play her as she's been written for the show, larger than life but with a vulnerable side. And I rather like those ii contrasts.[49] |
The primeval known theatrical credit of star mezzo-soprano Katherine Jenkins was in a schoolhouse product of Calamity Jane at Dwr-y-Felin Comprehensive when she was a student there circa 1994, Jenkins playing the function of Katie.[50]
In Australia [edit]
Excerpted review Hayes Theatre 10 March 2017 |
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Please note: Abridgements are shown in italics |
"The highfalutin' way to describe director Richard Carroll'southward 'Cataclysm Jane' is to say its arable meta-theatrics put a contemporary, ironic frame effectually an old-fashioned musical, revealing fresh insights. The perky simplicity of the 1953 Doris Twenty-four hours pic...gives way to a much more nuanced 21st-century take on a mid-20th-century interpretation of an unconventional 19th-century adult female...The low-falutin' truth is that along with being outstandingly clever, 'Calamity Jane' is gut-bustingly funny and has an extraordinarily generous center." "Crucially, it is blest with a central performance as fine as any seen on our musical stages since, I don't know, forever. Virginia Gay'due south Calamity is a roiling mass of powerful contradictions: physically potent and emotionally insecure, she can ride and shoot with the best of them but off a horse is a klutz; she's blustery and bashful; resourceful and inept. Most of all, she is desperate to be loved and perhaps information technology doesn't really affair by whom. Whether Gay is assiduously tending to the wounds of dashing Lieutenant Danny Gilmartin (Matthew Pearce), getting domestic with imported pin-upward Katie Dark-brown (Laura Bunting) or discovering...that her old sparring mate Wild Bill Hickok (Anthony Gooley) feels something for her, her eagerness makes Calam achingly vulnerable." "Carroll's production makes having a tiny budget wait like a brilliant artistic option. With music director Nigel Ubrihien at the upright piano there's a band of precisely one, augmented by cast members on guitar, ukulele, trombone, accordion and tuba. Every bit there are only seven actors, Ubrihien is conscripted into the ensemble, as is the audience. Participation has never seemed and so natural. Sheridan Harbridge, Rob Johnson and Tony Taylor round out the whip-smart interim team in a diverseness of secondary roles that provide one-act gold of the highest form, designer Lauren Peters's Old West saloon is beautifully lit by Trent Suidgeest and Cameron Mitchell'southward choreography is a hoot. Adding to the general delight is the truly gorgeous score by Sammy Fain (music) and Paul Francis Webster (lyrics), blissfully heard unamplified." "I confidently predict 'Calamity Jane' will get a standing ovation from the entire house at every performance. I have my reasons, but run across for yourself."[51] |
Neglected Musicals presented a staged reading of Calamity Jane from 3 Baronial 2016 for vi presentations: playing at the Hayes Theater in Potts Point and starring Virginia Gay.[52] This was Calamity Janesouthward professional debut in Australia although the play has a long production history via Australian amateur troupes, having been mounted equally early as 1965 by the then-amateur Brisbane Repertory with future television star Rowena Wallace in the title role: it was during the Brisbane Repertory production's 20 – 29 May 1965 run Wallace was discovered past actor Barry Creyton.[53] Virginia Gay reprised the championship role in a total production of Calamity Jane which played the Hayes Theater from viii March - one April 2017 [54] and which so toured to at several venues in southeastern Australia in 2018.[55]
Recordings [edit]
There is a consummate recording of the entire score of Calamity Jane available, recorded for JAY Records in 1995: it includes Debbie Shapiro as Calamity Jane with Jason Howard, Tim Flavin and Susannah Fellows.[56] A "cast anthology" of the 1996 product of Cataclysm Jane starring Gemma Craven - who is in fact the sole vocalist on the album - was issued in 1996.[57]
References [edit]
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: CS1 maint: archived copy as title (link) - ^ "Archived copy". Archived from the original on 2016-03-06. Retrieved 2011-03-xi .
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: CS1 maint: archived copy as championship (link) - ^ "Calamity Jane". Concord Theatricals . Retrieved 2021-03-08 .
- ^ "Calamity Jane (World Premiere, 1961) - Ovrtur".
- ^ Jones, Jan Fifty. (2006). Renegades, Showmen & Angels: A Theatrical History of Fort Worth from 1873-2001. Fort Worth TX: Texas Christian University Printing. p. 228. ISBN978-0875653181.
- ^ "Calamity Jane (St. Louis MUNY Product, 1961) - Ovrtur".
- ^ The Pittsburgh Press 2 July 1961 Fanciful Fun by Miss Raye Opens Opera p.20
- ^ The Pittsburgh Press 2 July 1961 page fifteen
- ^ Pittsburgh Post-Gazette 4 Nov 1963 Despite Rickety Vehicle It Was Nice to Take Carol Burnett Dorsum p. 47
- ^ "Cataclysm Jane (Regional Production, 1963) - Ovrtur".
- ^ a b c "Cataclysm Jane (Regional Production, 1962) - Ovrtur".
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- ^ The Townsman (Wellesley MA) 5 July 1962 Vivacious Ginger Rogers Stars in Calamity Jane' p. 9
- ^ Buffalo Courier Express 17 June 1962 p.26
- ^ "RIAMCO - Rhode Island Archival and Manuscript Collections Online". www.riamco.org.
- ^ "Denton Tape-Relate". 21 May 1961: xvi.
- ^ "Doris Day Film Turns Musical as Randy Skinner Signs on for Cataclysm Jane - Playbill". Playbill. 2004-07-12.
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: CS1 maint: archived re-create as championship (link) - ^ "Cheque out our 2019 flavour!".
- ^ "Brandon Uranowitz, Sara Jean Ford, and Tally Sessions Will Star in NYC Concert of Cataclysm Jane - Playbill". Playbill. 2017-12-05.
- ^ BWW News Desk. "THE Apple tree, Annihilation GOES!, CALAMITY JANE and More Fix for Musicals Tonight!'s 20th Season".
- ^ Hallam, Julia (2005). Lynda La Plante. Manchester: Manchester University Press. p. 10. ISBN978-0-7190-6548-4.
- ^ "The belgrade Years: Saucy era of letting off steam; COMEDY, drama and the return of the Coventry Mystery Plays marked the 70s at the Belgrade Theatre. Theatre writer MARION McMULLEN looks dorsum on some of the phase highlights of the fourth dimension. - Free Online Library". world wide web.thefreelibrary.com.
- ^ "The Beamly Agency (Beamly.com)". Archived from the original on 4 March 2016. Retrieved 27 October 2015.
- ^ Graham Cole, with Nuala Giblin (2010). On the Beat: my story. Droxford Hants: Splendid Books. ISBN978-0-9558916-5-6.
- ^ a b "Information technology's Behind You - Spotlight On.... Barbara Windsor". www.its-behind-you.com.
- ^ "Calamity Jane (Britain Premiere, 1979)". Ovrtur.
- ^ "Production of Calamity Jane - Theatricalia". theatricalia.com.
- ^ "Archived copy" (PDF). Archived from the original (PDF) on 2016-03-04. Retrieved 2015-09-30 .
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Farther reading [edit]
- Vocal score: Calamity Jane (Operetta in Two Acts) Apprentice Operatic Version Warner Chappell Music Ltd (Copyright 2006 past Faber Music Ltd ISBN 0-57152792-ii)
- Libretto: Calamity Jane A Musical Western adapted by Ronald Hanmer & Phil Park from the phase play by Charles K. Freeman after the Warner Bros Film written by James O'Hanlon. Licensed to Josef Weinberger Ltd, London, by arrangement with Tams-Witmark Music Library NYC. (Copyright 1962 by Tams-Witmark Music Library, New York.)
External links [edit]
- Calamity Jane at IMDb (1963 Idiot box musical starring Carol Burnett)
- Cataclysm Jane (1963 Goggle box product starring Carol Burnett) on YouTube
Source: https://en.wikipedia.org/wiki/Calamity_Jane_%28musical%29
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